Episode 304: (Bonus) Doe Paoro


A trip to India changed everything for Sonia Kreitzer. It’s the kind of cinematic-style quest for knowledge so many seek out and so few actually achieve. For the singer, who opted the stage name Doe Paoro, the trip came at the most vital of times. Struggling to make ends meet as a part-time singer and full-time waitress in New York, Kreitzer was attempting to make peace with her plan to throw in the towel on the music business. Faint singing in the distance, however, led her to study with a Tibetan vocal master, a style that would ultimately inform her future musical direction. Kreitzer sat down for a conversation about creativity, musical phases and the importance of mindfulness.


Episode 303: Marissa Nadler


Eight albums into her career, Marissa Nadler is still discovering aspects of her musical life. For My Crimes finds the Boston-based musician fighting impulses to overthink and overdo. The metaphors and endless layers of music are stripped away for something that cuts even closer to quick.Of course, the ethereal melancholy that has defined much of her work is still present, and the the record finds her singing and picking her way through relationship difficulties and other universal struggles. Nadler’s voice has long been a confident one, but recent life events have found her rethinking her approach to life and art, from leaving a day job to rekindling a love of painting, while leaving other forms of expression behind.  I should note that I, on the other hand, am very clearly losing my voice during this conversation. Apologies in advance.


Episode 302: Matt Pryor and Jim Suptic (of The Get Up Kids)


After that first breakup, the press tends to regard everything as a reunion show. As Matt Pryor and Jim Suptic are quick to note, however, The Get Up Kids have been around as long in their current iteration as they were the first go-round, at 10 years a piece. Reforming has clearly given the legendary emo band a second lease on life, however. This year, the group released Kicker, its fist album of material in seven years. The four-song EP finds them revitalized, and their live sets show no sign of flagging. The members live in different parts of the country, with family responsibilities — a far cry from their teenage beginnings in Kansas City. But the group clearly enjoys playing after all these years, and is already discussing the next record as we sit down bag stage at White Eagle Hall in Jersey City.


Episode 301: Colin Newman and Malka Spigel (of Immersion)


The van is running late. Never underestimate the traffic in from D.C. When Malka Spigel and Colin Newman do finally arrive, they’re both a bit wiped. Another late night on tour, getting in after last call, but the couple are both excited and slightly melancholy to play the final show of the tour. It’s Immersion’s first in the U.S., celebrating their first LP in a decade and a half. Spigel and Newman are clearly happy at the reception both the album and tour have received, even if it’s felt a bit like starting from scratch. After all, the mention of the pair’s other legendary bands Wire and Minimal Compact only go so far when it comes to filling venues. But with their son out of the house — as it happens, Spigel and Newman are also a married couple — the time is finally right to fully embrace a musical project that’s been on the back burner for quite some time. And the result is a sort of newfound energy musicians often lack later in their career.  Spigel and Newman sat down ahead of a show at Rough Trade in Brooklyn to discuss the project, touring and choosing musical passion over commercial success.


Episode 300: Michael McDonald


The Doobie Brothers, Steely Dan, three top 10 solo hits and one of the defining voices of his generation — but through it all, Michael McDonald has remained utterly humble. He didn’t feel he had the chops to make it as a full time studio musician, he tells me toward the beginning of our chat, so he sought a different path. Plan B gave the world “What a Fool Believes,” “I Keep Forgettin’,” “Takin’ it To the Streets” and “On My Own,” among others. Not too shabby, as far as those things go. Last year, McDonald returned to recording with his first album of original material in 17 years, following a fruitful run that found the singer releasing three covers records, largely drawing upon the Motown songbook. Wide Open arrived as the musician found new life breathed into his career, courtesy of the lovingly parodic web series Yacht Rock, alongside collaborations with a new generation of artists, including Thundercat, Grizzly Bear and Solange. McDonald wasted no time getting back into the studio this time around. This month, he’ll release his latest Christmas album, Season of Peace. The singer joined us for Episode 300 to discuss getting back into the studio, finding his voice as a songwriter and the sorry state of politics in 2018.



Episode 299: Jon Auer (of The Posies)


A few hours before the kickoff of the Posies’ 30th anniversary show at the Bowery Ballroom, Jon Auer is feeling reflective. It’s the perfect moment for the musician to examine a long and fruitful career that’s found him performing as the member of a half-dozen bands, producing countless records and spending 17 years playing guitar for the final iteration of the legendary group, Big Star.  But The Posies have always been the nearest and dearest to Auer’s heart. Formed in high school with childhood friend Ken Stringfellow, the band helped define power pop for the 90s. A trio of iconic records released on DGC set the group apart from the grunge sound of their hometown. But they never achieved the popular success of other Seattle groups of the era, The Posies have long remained one of the decade’s most beloved bands. In our conversation, Auer happily reflects on the ups and downs of his long career and explains why The Posies are sticking around for good this time out.


Episode 298: Bonus - Matt Costa


It seems Matt Costa has a guitar within arm’s reach at any given moment. As I fumble around setting up my recording rig, he pulls the acoustic out of the case and begins strumming, absent-mindedly. Prior to this year’s release of Santa Rosa Fangs, it had been a full five years since Costa released an LP under his own name. But it’s clear that music is never too far from his mind, as he fiddles around on the instrument or scribbles writing exercises for himself. When he’s not making music, the California musician is busy thinking about it, as evidenced by the recently released Santa Rosa Fangs (Novella Edition), an appendix to his latest record that explores the meanings behind the songs. Reaching for meaning or inspiration isn’t always easy, but Costa is more than happy to discuss his craft.


Episode 297: Lizz Winstead


When she arrives, Lizz Winstead is quick to note that she’s a bit frustrated at having missed Trump’s latest impromptu press conference. Not so much for the content — not rational thinking person could make that argument — just for the Twitter jokes. The comedian has made a career out of poking fun at the political, from co-creating The Daily Show, to cohosting an Air America radio show with rapper Chuck D and future cable news superstar Rachel Maddow, to her current gig as the head of pro-choice non-profit, Lady Parts Justice. The last time we spoke to her, the org was in its infancy. In the age of Trump, with the specter of a major rollback for women’s rights, the group is thriving. For Winstead, it’s a reason to feel hopeless and hopeful all at once.


Episode 296: Damien Jurado


Backstage at the Murmrr theater, the band is about to sit down to eat some fancy local Brooklyn pizza. It’s a strange space — a plush 700-seat theater that also serves a synagogue, the occasional Star of David on the wall the remind you that you’re a holy place. Damien Jurado seems eager to talk, in spite of being at the tail end of his East Coast tour (in a few days, it will be the same thing all over again up and down the West Coat). We launch into chat about Shabazz Palaces, a brilliant hip-hop duo from his native Seattle. Then it’s Billy Bragg and Beck and the Mountain Goats, all by way of explaining how he made the jump from Minor Threat-inspired hardcore frontman to earnest singer-songwriter. It’s been a long and fascinating journey for the musician, including a few unexpected pitstops along the way. But in spite of some personal struggles, Jurado says without hesitation that this year’s The Horizon Just Laughed is both his most personal and best album to date.


Episode 295: Shannon Shaw (of Shannon and the Clams)


Released in June, Shannon in Nashville finds the singer embarking on her own for the first time, after a half-dozen albums with backing band, The Clams. But Shannon Shaw still had plenty of support. The singer/bassist’s solo debut was produced by Black Key Dan Auerbach, who played on the album, alongside an all-star cast of Nashville studio musicians. But Shaw’s smoky vocals and dreamy songwriting are the stars of a record that is at once forward looking and firmly rooted in the past. The musician has come a long way since tentatively picking up an ex’s bass in college and honing her craft at karaoke bars and open mics. Shannon and the Clams have quickly become one of Oakland’s best and most fascinating musical ambassadors over the last decade.


- Older Posts »