Over its 17 year existence, The Moth has shaped the age-old art of storytelling into something uniquely its own, a style as instantly recognizable as any music style or movie genre. And like a great song or movie, there’s something in a perfectly executed Moth story that leaves the listener feeling as though they could never imitate such a perfect feat. Of course, if the organization’s show runners are to be believed, just about anyone with a story and the willingness to be coached by a few professionals can do precisely that. And that, really, is one of The Moth’s greatest attributes: the ability to balance populism with transcendence. In some sense, the podcast’s host Dan Kennedy embodies exactly that, at least the way he tells the story: jobless, furnitureless, recently dumped and newly sober, stumbling into a storytelling night so many years ago.  Until I heard perform the story of a magazine-assigned trip to Indonesia to search for an elusive nine-foot reticulated python on the Moth’s weekly podcast a couple of months back, I knew little about the guy beyond what he sounds like attempt to convince a large internet audience to redeem an Audible coupon code. Turns out, just as one would hope from the host of The Moth's weekly podcast, Kennedy is a man brimming with stories — and over the years, he’s gotten pretty good at telling them. In fact, he’s got a few books to his name. There’s Rock On, which revisits the 18 months he spent working marketing for Atlantic Records and Loser Goes First, a memoir of Kennedy’s uncanny knack for stumbling into interesting situations — not unlike the one that brought him to the Moth in the first place. But first a conversation about Roger Daltrey's mic technique.