“I never thought i’d making a living doing this,” Chris Ware explains, candidly. “I just thought i’d be a weird guy on the street shuffling around with tattered notebooks.” Maybe he’s half-kidding, or at least winkingly slightly. It’s hard to say. He’s hard person to read. But the cartoonist is nothing if not candid to a fault when it come to discussing his art and the work that goes into it. As we sit in a bare hotel room on one particularly cold early morning in Brooklyn, he’s more than happy to deconstruct the process of creating some of comics’ most complex and layered work. Perhaps he’s feeling especially introspective, following the recent publication of the massive Monograph, a 280 page art work that doubles as something of a career retrospective, with Ware deconstructing his own work in the marginalia. It’s a beautiful and lovingly crafted mid-career examination of one of the art form’s most important figures. If you tell him that, of course, he’ll likely thank you effusively, as though it isn’t something fans suggest to him on a fairly regular basis.